RA: 无限的东西不能是许多个，因为许多(many-ness)是一个有限的概念。要有无限，你必须辨识或定义无限为合一(Unity)；否则这个词汇就没有任何意义。在一个无限的造物者之中只有合一的存在。你们都看过合一的简单例子，一个三棱镜(prism)展现所有颜色来自于阳光这是关于合一的简化示范。 事实上，没有对或错，也没有极性，你们舞动着穿越心身灵复合体(complex)，你们此刻以不同的变貌娱乐自己，但一切终会在某个时点达成和谐。 这些变貌在任何情况下都不是必须的，而是由你们每一位所选择，做为另一种理解包罗万有的完整合一的方式。现在不是说一个类似或有点像的东西，你是一切事物，每一个存有，每一个表情，每一个事件，每一种情境，你是合一，你是无限。你是爱/光，光/爱。你是你本是。这就是一的法则。

During the 30's and 40's, Hollywood produced a genre of madcap comedies that emphasized reuniting the central couple after divorce or separation. And the female protagonists were strong, independent, and sophisticated. Here, Stanley Cavell examines seven of those classic movies for their cinematic techniques, and for such varies themes as feminism, liberty and interdependence. ...(展开全部)

"There will be ten teacups at number 4, Berwick Terrace, W. 8, on Wednesday, July 31, at 5 p.m. precisely. The presence of the Metropolitan Police is respectfully requested." Writing as Carter Dickson, the master of the locked room mystery John Dickson Carr returns to the Crime Classics series, pitching his series amateur detective Henry Merrivale against a seemingly watertight...(展开全部)

"There will be ten teacups at number 4, Berwick Terrace, W. 8, on Wednesday, July 31, at 5 p.m. precisely. The presence of the Metropolitan Police is respectfully requested." Writing as Carter Dickson, the master of the locked room mystery John Dickson Carr returns to the Crime Classics series, pitching his series amateur detective Henry Merrivale against a seemingly watertight...(展开全部)

本书精选世界各国最具影响力的平面设计师最新代表作品，堪称是全球设计的华丽盛宴。

"The New Yorker" was launched in 1925, and offers reporting, criticism, essays, fiction, poetry, humour, and cartoons. From the very outset, the founders, Harold Ross and Jane Grant, declared that their sophisticated magazine was 'not edited for the old lady in Dubuque'. "The New Yorker" has also offered great literature in short stories from such acclaimed writers as John Chee...(展开全部)

Where does DNA come from? What is consciousness? How did the eye evolve? Drawing on a treasure trove of new scientific knowledge, Nick Lane expertly reconstructs evolution's history by describing its ten greatest inventions-from sex and warmth to death-resulting in a stunning account of nature's ingenuity.